issue 4, sometime in april 2000


 




 
an episode from

 

 

© 1999 Michael Evert, used with permission
 
an introduction to the epic

At the turn of the last century, Gonzaga was a beloved character of children's literature, with fans all over the world. The tale, set in the late eighteenth century, of a pious brewer who wanders the world bringing beer and liquor to the thirsty and fine food to the hungry, was loved by readers of many nations. Indeed, such was the popularity of the story that it began to have a life outside the confines of the written page.



in this episode:

As with many books published in the nineteenth century, Gonzaga was originally released in serial form. The American Editor of Mugwump--an illustrated monthly--would receive each episode from his English counterpart, who in turn had paid a Lithuanian to translate it-with a few name changes so as not to breach copyright-from a tale in a Russian literary journal, which, in any case, had been stolen from somewhere else.

The American editor, Lincoln Dosooty, a lean and elegant man who dressed during the summer months in suits of cream colored linen, and always wore a tightly wound turban of Brooks Brothers Sea Island cotton, would carefully read the copy. He would then change what he thought fit--making local the ethnic jokes, and adding vitriol to denunciations of the behavior of the English, while censoring the more extreme manifestations of barnyard humor so popular in southwestern France, which is where, on alternate Tuesday's during months with R in them, the epic is thought to originate.

On the first Monday morning of the month, the magazine would be distributed all across the United States from the printers' warehouse in Brooklyn. The following episode was published in July of 1898.

Let us imagine the reception that the magazine had in the home of two avid followers of the traveler's tale, who lived in the leafy suburb of the Upper West Side. At the door of 467 West 84th street, a brownstone with a trio of Ravens carved in bas relief over the lintel, the journal is torn from the hands of the delivery boy by the usually demur Charlotte, back from Miss Porter's for the summer, and looking like she has stepped out of a portrait by John Singer Sargent.

"They're all crazed. Mad with Gonzaga fever," the boy mutters, and sets about the next task of what is shaping up to be a very long day indeed.

In the house, Mugwump is clutched to Charlotte's starched white cotton pinafore as she rushes to the breakfast room, where her widowed father is sipping tea.

"Papa-it has arrived!" Eagerness shines on her face.

"Oh, bully, Lotte, bully. Shall we read it now?" He casts aside the piece of toast he's been buttering, and lunges for the copy of Mugwump. But she is dismayed; this is not how things should be done.

"Oh Papa, surely…"

He looks puzzled for a moment and then nods, contemplating his over-excitement. "Yes my dear, you are quite right, it would not be seemly."

Charlotte sighs with relief. "Shall I get it?" she asks.

"No-Hustle down to the kitchen and see if you can't get cook to relinquish some of that ice she's so fond of cooling her feet with."

"Right away, papa." She is aglow.

The reading must not be done in a slap-dash manner, but properly and according to the ritual then in being performed in houses across America. She runs back to the breakfast room with a bowl of cracked ice, just in time to see her father clear the table with a sweep of his arm, sending kidneys and kippers, oatmeal, and a platter of new-fangled safety-bacon into a pile on the floor.

On the table he lines up three bottles--Cointreau, Gin, and bottle of the Fee Verte--Absinthe--a dark green liquid, mysterious, enticing and dangerous.

"The ice, Papa."

"Just in time. One part of the Orange liqueur--any will do, you know--two parts gin, and three of absinthe and we'll double the recipe as it's a special occasion. And then we can sip as we read."

"Can I put a drop of blood in it like last time?"

"Oh, yes, indeed. I think the goddess Hecate would approve, I do, I do."

Charlotte's father performs a little hopping dance of glee, and then turned to the magazine. "Right. Now what is this fellow Gonzaga up to? Seems he's lying on the a Beach, like a lummoxing sea mammal."

"Was he not in the hands of the nefarious British?"

"Indeed, but it seems he now being approached by some rustics."

"Oh don't tease, Papa, read aloud, do."

"Capital illustrations this time."

Charlotte grimaces in frustration, and sends a poorly aimed ice-cube past her father's head shouting "Read you Bitchwhelp, read!"

Her father chuckles, and takes a hearty swig of his Gonzaga cup, "Yes dear, at once." And so we rejoin, Gonzaga, as ever out of the frying pan and into hell's sulphurous flames . . .

   

  episode 4

The next day I was awakened around noon by men's voices. Fearing Spaniards, I made myself look like a hummock. As the voices grew closer, I realized these men were not from far Andalusia, nor fair Seville. From the way they butchered the English tongue I judged them to be Indians.

Soon I sensed them to be standing over me. At that point my lamb dinner made itself known. One of them spoke. "You may be right, Tobias. I would not correct you. But still it is the first time to my remembering that I have heard a sand dune with indigestion."

"Dangee, Increase, I can see as well as you it is a creature. What I don't see is how you could tell that from the crow's nest. Question is, is it a whale?"

"Harpoon it first, discuss its lineage later."

This was too much for me. I jumped to my feet. "Sirs, I beg of you. I am no leviathan, merely a priest, a man of the cloth."

They seemed not at all surprised by this revelation. "Well, Tobias, methinks 'tis a Catholic whale."

"Scion of the Antichrist, eh? We'll drag him back to the ship and melt him down."

"Render unto Caesar..."

"Exactly, Increase."

 

 

At this point a third square-beard joined his voice to the other two. "Brethren, please! Is this not a man? If I prick him, doth he not bleed?" With this he gave me a swift stab in the buttock with his saber, triumphantly seizing upon the resulting rivulet of blood as proof of his theory. "Aye, Culpability, ye have us there; he doth bleed."

Indeed I was bleeding so copiously that I was forced to grab a double-handful of bog-muck and plaster it on my oozing buttock to stanch the flow. "Sirs, I beg of you, hear my story."

"Save it, papist."

"Indeed, save yourself, papist."

"In fact, save it for the Captain."

"Yes," the man they called Culpability said. "You'll have your work cut out convincing him you are not a whale."

Increase took at a swipe at the ragged hem of my new sealskin cassock with his harpoon and hoisted me before him in the direction of the sea. He stumbled forward a few feet before I rent the harpoon with my stoutness. "What is it that you fish for, good Sirs?" I inquired, as these dour Indians impelled me forward to their beached rowboat. They did not answer.

After twenty minutes of stiff rowing we reached the Jonathan Edwards (for so their ship was named), which stood in ten fathoms of squally water. Here we were greeted by the crew, as pious a bunch as ever sailed the seven seas.

"Who'll give me a silver dollar for yon Beast?" cried Culpability. A hundred greasy hands were at me immediately, prodding me, discerning my girth, my fat content, whether there be aught within my carcass to black their boots with or light their lamps.

"A silver dollar says he shall not prevail against the Siberian brown bear in the hold."

"Done!" cried Culpability. "And if he doth, we shall find him a female of the species and perform the nuptial ceremony, whereupon they shall bring forth plentiful offspring that shall keep us in viands all winter!"

"Sirs, in the name of the almighty God, I am not an animal, I am a man!" I cried. "Two silver dollars says he's not, Increase!"

"Gad, Deepack, slit him open and let his innards speak the truth!" And a variety of knives for the carving of the beasts of the sea and land were brought forth when a roar was heard from the main deck, and all instruments fell to the floor in a storm of silence. "What, do ye men think ye are in the booze-pits of Baltimore? By God, let us get to the very quintessence of the argument. Men, ye are on a whaler. And what is it ye do here? For what did the good Barnabas of Nantucket pledge full payment to ye on return from your sojourn on the seas? Speak to me, men, for I cannot hear ye!"

I looked up and above me, there stood a rather short man, attired in the worn uniform of a Captain. Yet despite his lack of size, he had fierce eyes and an apoplectic complexion that induced a certain deference in all whom faced off against him. His hair was cut short and his ears could serve as spinnakers in a following breeze. "I still can't hear ye, men, so let me set the record straight. See ye, this is a whaler, men, and our set purpose is look for whales. Zooks, men, am I missing something here? Is't a whale that I see before me, which creates this havoc? If it is, why I thank ye, good men, and I shall go straight back to the cabin to the study of my Scripture. Is't a whale, indeed?"

 
 
   

"Not sure, sir," murmured Culpability.

"Well, tell me, sir, where dost thou find a Whale."

"Blue 'uns, pinks, and Spermaceti on the beach after the seas rage in November."

"Otherwise?"

"On the high seas all, and all else too, saving the blackfish."

"And where d'ye find the blackfish?"

"Alone in the bay, and with comrades on the beach."

"And where did you find this lad?"

"Alone on the beach"

"So, could ye render him?"

"I reckon..."

"No, but safely lad, safely. Is he a whale?"

"No, sir."

"No, sir. That's right. So don't even think of boiling the fellow down. He's no whale." A murmur went up from the gaunt crew.

"No, of course. Not a whale. Papist fish, but not a whale. Perhaps a walrus."

"Captain, is he a walrus?"

"Well, work it out. Does he have teeth? Is he fat?"

The sailor pried my mouth open. "Yes on both counts, Captain Toper! Sir!"

"A walrus, a walrus!" shouted the crew as they advanced on me with flensing knifes.

"But are they really big teeth?"

"No, sir."

"And does he smell?"

"Yes."

"Of rotten fish parts?"

"No, of penguin shit."

"Well in that case, he's just a fat man."

"A cook, a cook!" shouted the crew and put cabbages in my hands and shoved me towards the galley. As soon as they had wedged me into the narrow galley and made fast the door, and I had anointed my lips with two bottles of Madeira that I happened to find in one of the locked cabinets that held the Captain's personal provisions, I sank to my knees in a fever of thanksgiving and remembered each and every one of the myriad dark spirits of the land where the sun will never shine. The proper formulae of devotion had to be observed, and hence it was some time before I was able to turn my attention to my official duties.

Somehow they involved the cabbages that seemed to take up so much space in the galley; of this much I was sure, but I could not for the very life of me recall how. I had just made up my mind to squeeze the bulk of them out of the porthole, along with the empty bottles, so that I would have room to sleep on the question, when a glance outside convinced me that I might need them to cower behind. <

text © 2000 marcus boon, david wondrich, and nicholas noyes, used with permission
art © 2000 Michael Evert, used with permission


Episodes from "The Travels of Father Gonzaga" were translated from the language of the Sami peoples on a Reindeer farm near Mexico, Maine, by Marcus Boon, Nicholas Noyes, and David Wondrich.

Marcus Boon is working on a history of drug use by writers and lives in Brooklyn, NY.

Nicholas Noyes contributed to The Amok 5th Dispatch: Sourcebook of the Extremes of Information, and is currently dividing his time between London and New York, in search of the percet ale. Mr. Noyes also wrote the excellent linguistic carnival Words Words Words in this issue.

David Wondrich is a Senior Research Fellow at the North Gowanus Institute for Cranial Distempers, where he resides.

gonzaga@start.com.au


Michael Evert is an artist living in New York.

 
click here (or our back pages) to read other installments of gonzaga
 
back to the main page

© copyright 2000 brown electric/cthunder inc., all other by permission