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By Duncan Hernandez
the true story of trying
to make enough dough
to live in the greatest
city in the world
In
the small, cramped back room of the Twin Donut on
91st and Broadway, John Doe gingerly
sprinkles a handful of flour around the edge the
2-foot wide metal bowl of a Hobarth mixer. Fifty
pounds of dough spin around and around at a high
speed until John stands and pulls down a lever on
the 5-foot-tall standing mixer and the dough
slowly sags to a halt. The loud churning of the
Hobarth gives way to Sam Cooke blaring on a
Panasonic, John rests his dusty arm on the
machine, and the yeast dough lays motionless."From yeast dough we make
jellies," explains John, a 40-year-old
immigrant from Bangladesh. "You have
strawberry. You have blueberry. Lemon. All
kinds."
John punctuates his
sentences with a quick, jolly cackle and smiles a
widely. Six feet tall and narrow, his black hair
and stubble are both flecked with gray. He looks
like a walking cloud from a distance. dust covers
his hands, arms, and apron. Dough specks cling to
his brown knuckles and a brush of chocolate dots
the shoulder of his gray Twin Donut shirt.
The time to make the
donuts begins at 7 p.m. John pounds dough, cuts
donuts, fries them, glazes them, and then pounds
some more until about 5 a.m. when he dots
sprinkles onto the last eclair. By 11 p.m. he's
made whole-wheat crullers, glazed, cinnamon, and
sugar; old fashioned glazed, cinnamon, powdered,
coconut, and butternut; and he's finishing the
chocolates while the yeast dough rises.
Floating in 375 degree
oil, a dozen or so chocolate donuts fizzle at the
edges and bob in the 2-foot by 2-foot pool of the
Pitco Frialator. With a nod of his head, John
directs his assistant Alfonso Flores to flip the
swimming rings of dough. When the short Mexican
immigrant awkwardly flops the donuts, John rushes
across the room, grabs the two thin wooden rods
from Alfonso, and quickly flips the donuts two at
a time. With one rod in each hand, like
two-handed chopsticks, John moves gracefully and
efficiently.
The Dunkin Donuts a few
blocks up Broadway gets donuts from a regional
donut factory. The little guy with the mustache
is, of course, a myth. Twin Donuts is the little
guy business-wise, with only a few locations in
Manhattan compared with almost 40 Dunkin shops.
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"This is
the age of commercialism," John
says. "People do not depend on
quality that much. They depend on
advertising." |
John started learning
to make donuts three months ago. For six weeks,
he followed the instruction of two Greek
donut-makers from other Twin locations. John
learned the most important rule of donut-making
from them. "If your dough is good," he
says, "your product will be good."
For the Greeks, making
a thousand or more donuts takes seven or eight
hours. It takes John almost 12, even with Alfonso
helping. "I should be more fast. I
understand," John says. "I never did a
manual job. That is my problem." He worked
at the store's counter before, serving donuts,
coffee, and assorted foods to patrons who ate at
the odd-pink and droopy-gray tables.
John throws flour
sidearm onto a dough-stained cloth that covers a
4-foot by 6-foot wooden table next to the
Hobarth. Then he kneads the last of the chocolate
dough and cuts donut holes five at a time with a
metal donut-hole-cutter. Next to the Frialator
stands a trough of glaze with a tilted rack
attached. On the rack hang three long, metal
poles with a half-dozen or so donuts. Between
kneading and turning and cutting and frying, John
swirls donuts through the glaze trough.
The
trough stand, along with the Frialator,
the Hobarth, the kneading table, a sink,
some shelves, and something called a
proofer, fill the cramped room. Flour
dusts everything. The red-brick floor,
the machinery, and even the once-white
tile walls. |
A New
York Times
lays folded between the pineapple and
bavarian
cream filling containers
on a shelf.
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For a moment, John
actually stops making donuts. A coffee and
cigarette break is the closest he comes to a
lunch break. "Once you start job, no
respite," he says, "until you finish
everything." He clicks his lighter, dusted
with flour, and draws deeply on a "Marlboro
regular, 'rough and tough.'" He smokes
almost a pack a night. Not a day. "Day is
sleeping," he says.
By 1 a.m., John has
separated 50 pounds of yeast dough into seven
sections, pounding each with his palms and
punching them down with his fists. One by one, he
works them flat with a large metal roller,
dusting them with flour as he goes. He flours a
3-inch wide, metal ring with another ring an
inch-wide inside. He carefully places the ring on
the bubbled, yellowish surface of the dough and
quickly spins the rings clock-wise as he pushes
it through.
Then, in one motion, he
lifts the dough ring, flipping it and the donut
hole into his left hand and then tossing the
donut hole to the back of the table. He turns the
dough ring onto his thumb and repeats until three
donuts hang on his thumb and a fourth rests in
his hand. Stretching the donut hole, John spins
it lightly between both hands, almost as if
juggling. He then very gently places each ring
onto a metal, grated rack, and, as he releases
the ring, it almost imperceptibly contracts, like
someone taking in a quick breath. "My
instructor told me that you touch softly,"
explains John of the delicate handling, "as
you touch your girlfriend." And then he
laughs.
John repeats the
process over and over and over again, pounding
dough, cutting donuts, frying them, glazing them
and then more pounding until after 4 a.m., when
he begins filling the jellies.
"It is a good time
for me to listen to the radio ... think,"
says John of the late hours. "You don't have
to please so many people. No botherization."
John came to America a
year and a half ago. He speaks English well, but
some of his phrases are slightly off. "It
took me one month to understand Whats
up?" he notes. Despite the difficulty,
he likes America. "It is the only place
where you find people of all race and color and
philosophy," he says.
John whittles away
nights thinking about social issues, the state of
peace in light of global political actions
through the United Nations, and education. He
switches radio stations throughout the night to
Public Radio International and the BBC, among
others. A New York Times lays folded
between the pineapple and bavarian-cream-filling
containers on a shelf. Thomas L. Friedman's
opinion piece will gradually become covered in
the flour that whirls around the room.
Still, his main problem
is far more local. "Its a tough job in
one sense: you have hardly any chance to stand
straight," he says. "Most of the donut
people have problems with back ache."
When Johns
assistant Alfonso gestures that he has a stomach
achehe speaks no EnglishJohn sends
him home. It will take him even more time to
finish the donuts tonight. And more back ache.
When he leaves the
donut shop, John takes the 96th street express on
the red line to Grand Central and hops the 7 to
Jackson Heights, Queens. Once home he spends a
few hours with his wife and kids before they go
to school. He doesn't bring home donuts very
often. Neither he nor his family much cares for
them. "There is a saying in my
country," he says, "Those who
live under a mango tree do not eat
mango." «
Duncan Hernandez is a writer living
in New York. This is his first published story.
In real life, he is an actuary.
©
copyright 1999 brown electric/cthunder inc., used
with permission
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